If I make blocks in a different order from the officially organized quilt-a-long (QAL) and even change some of the blocks, am I still a QAL participant? I’ve decided the answer to that question is yes! And today I’m here to share the blocks I’ve completed so far. This QAL is graciously being hosted by Kerry, whose blog is VeryKerryBerry. Check it out or follow her Instagram hashtag (#FW1930sQAL) for more inspiration.
Block 18: Carol
As part of the blog hop, I completed Block 18, “Carol.”
For those who aren’t aware, block patterns come from the book The Farmer’s Wife 1930s Sampler Quilt. Each block is paired with a letter that was written by a farmer’s wife and submitted to the magazine The Farmer’s Wife in the 1930s during the Great Depression. The letters provide a snapshot of life in that decade, but the letters selected for publication also tend to be uplifting, which is remarkable considering the challenges faced by farmers at the time.
The letter paired with my block was one of my favorites. You’ll have to buy the book to read the whole thing, but the gist was that by having a radio, the writer felt she sometimes knew more about what was happening elsewhere in the world than she did about her own community and neighbors. It’s crazy to think people already noticed the effects of globalization in a very real way back in the 1930s! I also love that the block shares a name with my Great Aunt Carol, someone who sewed lots of things for me through the years.
If you’ve been on my blog awhile, you might have read about what I call my Ugly Quilt. I used lots of gorgeous fabrics for what was to be my first-ever quilt, but they clashed fiercely… and so the pieces ultimately went to a thrift shop, where I wouldn’t have to repurpose my failure into a new project, haha.
Having learned from that experience, I decided the cohesion of this quilt would center around Heather Ross prints. Heather Ross is my favorite. I write about having met her in my review of QuiltCon 2015. In this quilt, I will use pieces from all her various fabric lines plus pieces cut from munki munki brand pajamas she designed (typically out of print/OOP since I discovered quilting long after she sold the brand). It’s true that not all the fabrics share a similar colorway, but I’ve decided not to worry about that for now. Please cross your fingers for me that all these lovely fabrics won’t become Episode 2: Ugly Quilt’s Revenge. Here’s a photo of about half my HR stash paired with the FW1930sQAL blocks:
(Yes, I spent a small fortune on Etsy.)
For those who are already HR superfans, you might be thinking to yourself, What the heck?! The mermaids in that Carol block are NOT in one of Heather’s original colorways. Did Tiffany STEAL Heather’s artwork? To that, I answer: nope! You should probably get your hands on a copy of the book Prints immediately. It’s awesome.
Included with the book is a disc of some of Heather’s artwork. The whole book is about using technology to design and change fabric, and she offers her prints as a starting point. In other words, you can customize the prints however you’d like and print them on Spoonflower! I started with the Mermaids print from the Mendocino line, making one a redhead and the other a brunette. Admittedly, she has TONS more experience with colorways than I do. I’m not sure that mine was an improvement. But it was incredibly fun to play with the prints in Photoshop. Perhaps my favorite thing about having the prints in electronic format was being able to increase or decrease the size of some so they would fit on the blocks in the Farmer’s Wife book. Each block is only 6″ finished, so many of the prints would have been too big without resizing. And where I had to choose to sacrifice either the print or the block design, I’ve decided in most cases to favor the print. You can see an example of this in one of the other blocks I completed (described below), Block 79.
Four More Finished Blocks
As I said, I’ve been sewing my blocks out of order. The first block I completed was actually Block 79, “Patience.”
This block was originally just a 9-patch block. After holding the elephant up to lots of different blocks featured in the book, I realized it wouldn’t fit on ANY of the blocks. I made the executive decision to combine several of the pieces to feature the elephant on a block. I am thrilled with the result.
Next, I completed Block 14, “Betty.”
I basically started with all the largest-scale prints and then looked for a block that had pieces large enough to accommodate them. This block not only fit the mountain top, but placed it at the top of the block like the skiers were skiing down from the top of the mountain. I made the lower left skier look like he’s falling on accident, but otherwise, I love the effect.
I took a long break after this block to sort the rest of the prints with blocks that had appropriately-sized pieces. I saved a snail print for last since it had some of the smallest images of any of the prints. So when I finished sorting, I sewed Block 6, “April.”
The center block actually came from a charm pack of Gardenvale fabric that I got as a freebie at QuiltCon. Pretty sweet, right?! I like how it included the snail colors but added a few more to the palette. Without the center piece, this block would have had almost identical colors to Block 79. I like how a single fortuitous print opened the door to so many options!
Finally, I completed Block 2, “Aimee.”
This incorporates another image from the book Prints. The image was actually intended for gift tags, but I thought it would be cute for a quilt, which of course is another handmade item. Sadly, when I cut apart my Spoonflower fabric, I accidentally cut these pieces too small. I was glad I thought to save the scraps, and the scrappy look that resulted isn’t something I mind at all!
In case you’re curious, this is how my yard of Spoonflower fabric with edited images from Prints turned out:
Watch for these images in future blocks!
Thanks for visiting, whether you’re a longtime follower of my blog or visiting for the first time as part of the Blog Hop!