Stuffed Chicken [with Pouch] Tutorial

I found an amazing stuffed chicken sewing project on Pinterest but was disappointed when the link stopped working. Other users reported inappropriate content. However, I had no trouble with the link to the blog’s main site (which I typed in manually), and I was able to view older posts until I eventually found the chicken pattern here.

Since the website is in Chinese, I thought it would be helpful to provide the English-version tutorial. I am NOT trying to take credit for creating the pattern, just trying to make it available in the English-speaking market. I could not find the link to Sunny’s Lovely Quilt that is listed (via photos) on the Chinese site and on the chicken pattern itself. If someone finds the link and discovers this tutorial already exists in English, please let me know! We don’t want any copyright violations around here! In this spirit, I also did not include photos in this tutorial of anything that already appeared in the original link.

Download the pattern on the original website, then follow these instructions. (Note: I re-sized the chicken to fit a printout of 11 x 17” because I wanted it bigger.) All seams are ¼ inch unless otherwise specified.

Materials needed:

Cotton fabric (different colors for head, wattles/comb, beak, outside of chicken, and lining)
White felt (I used a combo of interfacing or batting instead)
Beads for eyes
Filler of your choice (I used polyester stuffing)
Needle, thread, scissors, etc.

Instructions

1. Print the pattern four times.

2. Add a seam allowance. I measured ¼” from each line and did a connect-the-dots thing, but I’ve seen you can also tape two pencils together and draw along the lines (the pencil tips will be approximately ¼ inch apart).

Trace the chicken pieces as follows:

On the first printout, draw along the side of the beak, wattles, and comb that connect to the chicken body. Continue by tracing along the rest of the pieces. You can also draw along the entire chicken bottom on this printout.

On the second printout, draw along the side of the chicken head that connects with the body. Continue around the rest of the chicken head.

On the third printout, draw along all edges of the chicken body (excluding the connecting pieces you have already traced). On this page, I also traced around the beak. There was slight overlap, but I traced the small beak onto another piece of paper rather than printing a fifth chicken.

On the final printout, trace along the entire chicken body including the head but excluding all other pieces.

2. Cut out all the pieces. This is your final pattern.

3. Cut the following pieces of fabric:

Head: 4 pieces with two reverse
Body (no head): 2 pieces for outside of chicken with one reverse
Body (with head): 2 pieces of lining with one reverse
Bottom: 2 pieces consisting of one outside piece and one lining piece
Beak, wattles, and comb: 2 pieces each with one reverse each

On the body (lining) pieces, trace the wing outline using the water- or air-soluble ink of your choice. Do the same for the X shape on the bottom lining piece.

4. Cut off the seam allowance for the body (with head) and bottom pattern pieces. Cut one bottom piece plus one normal and one reverse body piece of white felt. These should be a quarter inch smaller than the fabric pieces on all sides. (I used the instructions to cut interfacing and batting instead of felt.)

A photo of the pieces you should have appears on the original website.

5. Sew along the sides of the beak, wattles, and comb that do NOT connect with the body with right sides together. Turn the pieces right-side-out and stuff. Baste along the sides that will connect to the body to keep stuffing in. (This is pictured on the original site.)

6. Sew one head piece to the corresponding body piece (outside piece). Repeat for opposite side of chicken.

7. Layer one body piece with head added (outside) and corresponding lining piece right sides together. Sew along the edges, leaving about 2” along the bottom unsewn so you can flip the chicken right-side-out. After flipping, insert the felt lining and sew the 2” hole closed. Repeat for opposite side of chicken.

8. Sew along the wing outline and remove the line. (You are basically quilting the wing. I added feathers to my wing shape.)

9. Repeat steps 7-8 for the bottom piece, layering the outside and lining pieces, sewing all but 2 “, flipping right-side-out, inserting felt, closing the hole, and quilting the X.

10. With the two remaining head pieces, sew along outside (leaving a hole), stuff, and close hole. This will be called the “head stuffer” in step 13.

11. Pin comb, beak, and wattle to the lining side of one quilted body piece. Sew using slightly less than a ¼” seam (so the stitching won’t show when you sew the two body pieces together). This is pictured on the original site.

12. Place outside sides of body together. Sew from the tip of the tail to the bottom of the chicken, but not along bottom. Sew from the back of the head, over the top of the head, to the bottom of the chicken. Do not sew the back or bottom of the chicken! All seams in this step should be as close to the edge as possible.

13. Put the “head stuffer” into the chicken head and place one eye on either side of the chicken. Using a tapestry or other long needle, connect the eyes through the head stuffer to keep it in place.

14. Pin the bottom piece to the chicken and sew around it. Because I am still pretty new to curved lines, mine didn’t turn out perfectly, and I can’t tell whether it’s a pattern issue or a sewing issue. (My oval for the bottom was too big.) I suggest checking the size of your oval before sewing to the chicken. Still, it’s pretty cute – and it’s lined with leftover bird fabric from a baby quilt I made.

Uses:

The chicken was originally intended to hold eggs, according to the earliest pinner on Pinterest, but I will use it to hold chicken bean bags from this tutorial. The goal is to play this game or this game at the park with my cousin and her kids when they visit later this spring.

If you have questions, please leave a comment. Thanks for stopping by!

Mardi Gras Quiet Book

In a recent post, I mentioned I was working on a project with a palette too specific to share without giving away the intended recipient. Today is the big reveal!

A dear friend of mine moved to Illinois from New Orleans several years ago to be nearer her husband’s family. She enjoys visiting her hometown several times per year but sometimes receives negative comments related to Mardi Gras. I’m not sure Midwesterners (which I am) tend to understand that Mardi Gras can be so much more than just the Girls Gone Wild fodder of Bourbon Street. The last two years, she has posted this article about the fun things she’ll be doing with family. I wanted to help her celebrate her hometown and teach others about the nicer traditions by making her kids a Quiet Book with a Mardi Gras theme.

This is my “design wall” to show how the fabrics coordinate (definitely a cohesive palette!). My design wall was created by sticking fabric to the wall with washi tape–hardly high-tech.

Below are photos/descriptions of my quiet book pages.

I wanted to start the book with the history of Mardi Gras. Even though my friend’s not Catholic, religious influences played a big part in forming the holiday.

The objective of this page is to have the boy hold his mother’s hand and move to the sidewalk.

 

This page represents the musical influence of New Orleans. It was intended to look like one of New Orleans’ distinctive buildings with large, shuttered windows, plantation-style white doors, and European details. I decided to skip the shutters and doors at the last minute because they would have hidden the band members. I decided I liked the balcony appearance without them.

The band members are also finger puppets!

The pages above relate to baking a king cake. The spoon and whisk pull out of an elastic holder and are connected with a strand of embroidery floss. The refrigerator doors and cupboards on the opposite page open to reveal the ingredients for king cake. The refrigerator has detachable magnets with photos of the kids and their parents(redacted to protect their identity).

I wasn’t sure whether I could make the magnets stick to fabric or felt, so I had to find a way to sew them on. I repurposed a piece of plastic packaging to achieve this. I heated a pin until it was red-hot and pushed it through the squares of plastic I had cut and marked. I melted a set of holes in each corner. Then I attached once piece of plastic to each magnet, two per photo (one for the fridge, one for the photo itself), by sewing it to the fabric/felt. It worked pretty well!

Once the king cake is mixed on the previous pages, it’s time to bake and serve the cake. The oven comes with an oven mitt. (See the discussion about my Pinterest board below for sources.) The finished cake is a puzzle, and there is a detachable knife and felt numbers to count the pieces.

On this page, the kids can select a mask for the little girl.

Some suburbs celebrate “Fright Night,” which is very similar to Halloween in that kids dress up in costumes. For this set of pages, there are several costume options for the boy and girl.

Toys from the page on the left can be detached and put into the bag on the right, which mirrors the catching of “loot” during the many parades of Mardi Gras. I also embroidered a ladder, which is how young children are able to see the parade over the heads of adults. My friend pointed out that if she has trouble keeping track of any of the pieces, she can put them into the bag on this page – it’s huge!

There are numerous “krewes” at Mardi Gras, including the Mardi Gras Indians and Bacchus. On these pages, the kids are asked to look at the characters on the left to determine which of them belongs to the krewe on the right.

On these pages, the kids can select one of the polaroid photos I took of them (and their favorite stuffed animals) this weekend, put them into a buttoned envelope, and mail them home to friends to share the Mardi Gras experience.

Processes:

I used the thickest Pellon interfacing I could find to stiffen my pages (interior design strength!). I thought it would be easier than quilting each page with batting in the middle and mostly liked the result. Unfortunately, the Pellon was not like the sticky-on-both-sides interfacing I’ve used before, so I wonder if I shouldn’t have sewn pages together in the middle in addition to the sides.

I elected not to use metal clips to hold the book together because I feared it would turn into a Noisy Book! I also opted against sewing the thick pages into a binder-type binding because I was lazy and it sounded hard. In the end, I used a hybrid of the most common forms of quiet book binding to make my binding with eyelets and ribbon.

I pinned lots of inspirational photos/graphics of Mardi Gras and New Orleans to a Pinterest board. It was secret so my friend wouldn’t know about my project, but I have since made it public. You can check it out here.

I made my book 8 1/2 x 11″ so I could use a standard-sized sheet of paper when designing and sizing my images. It also made it easy for me to test out different options in MS Word.

Making a book for kids when you can’t remember the skill levels at each age is kind of difficult, but I had fun using different claps, closures, and notions. I didn’t really think this would become as time-consuming as it did. I somehow thought I could do the whole book in just a few hours after I did the planning. HA! I can only laugh at myself in hindsight. I could probably have made a whole quilt in the time it took me to complete this project. You might be able to tell which pages I worked on at the beginning versus which ones I had to rush to be done before I went to visit my friend this weekend! But I’m not complaining about the time spent; it was mostly relaxing (when I wasn’t sewing pages together backward).

Sewing an Owl Purse

Prowl: Madeleine bag by Imagine Gnats

I posted before that my sister loves owls. I wanted to make her one last Christmas gift with that theme and decided on the Madeleine purse tutorial I found on Pinterest. A woman with blue hair (read: probably more creative than I am) at the fabric shop told me the owl fabric I picked was cool. That made my day!

Then the project turned into a nightmare.

At the Quilt Expo, I attended a class by Nancy Zieman of Sewing with Nancy. She had this great trick for using Steam-a-Seam-2 (“SAS2”) instead of normal interfacing on certain projects. I had trouble the first time I used interfacing, compared with a stunning victory when I tried SAS2 for the next project. I decided I would save myself a headache by using SAS2 for the purse project… and learned that Steam-a-Seam has its limitations.

First, my sewing machine hates sewing through paper. I see all kinds of cute projects online and have even attempted a few, but alas, I make it about 2 inches into the project and throw my hands up in despair at the hundredth broken thread. (Preempting: Adjusting tension, stitch length, needle size, etc. doesn’t help.) When sewing through two interfaced layers of the purse, I was also sewing through 2 layers of paper, plus the sticky interfacing itself. My needle was gummed up and the thread broke constantly. Not fun. I even experimented with removing the paper in favor of a tape and wax paper concoction. (Worse!) And toward the end of the project, I had to figure out how to get the paper out from between the lining and the exterior after flipping the purse right-side-out. (Solution: I removed the paper in advance and hand sewed the seam! I hate hand sewing stitches that are not even visible when the project is finished!)

The tutorial itself was pretty good. However, I strongly urge a better interfacing selection if you decide to try this project. Some additional points of clarification:

1. The pleats are not box pleats (both left and right sides tucked toward a center point). You can just bring the pleat lines together and fold either right or left. Be consistent with your direction.

2. On the final sewing step (sewing the lining and exterior together), the wrong side of the lining should be the outermost layer (clear in the pattern) and the purse exterior, which is tucked into the lining, should have the sticky/interfaced side out, with the front side of the bag facing in toward the lining. It’s possible I did a fantastic job of attaching the two, double- and triple-securing the strap, only to find the exterior was facing the wrong direction…

As an added bonus, I did the owl embroidery (patterns here) while my sister was sitting right next to me! She was just home from the ER, I had food poisoning, and we were too self-absorbed to worry about each other while we watched Christmas movies together. About 45 minutes after I started, she asked what I was working on, and I told her it was a project for another friend. She didn’t ask to see it! Whew!

When I was all finished, I had to wipe down with rubbing alcohol all the pins that had secured the interfaced pieces. They were extremely gunked up!

Fall Attire – Sunday Brunch Jacket

Inspiration: Purl Bee

I blogged before about the quilt I wanted to make for my friend’s baby as soon as I found out she was pregnant. Although I knew the quilt would take awhile, that didn’t stop me from planning all the other projects I could do later. One such project emerged when I stumbled across a really adorable Sunday Brunch Jacket from Oliver + S, blogged about on the Purl Bee. What really caught my eye was the elephant fabric, which I knew my friend would love. (The stuff I used was similar but not identical.) I hurred online to buy the no-longer-current pattern and propped it against some books on my bookshelves–in the kids’ section, naturally–for months.

A few months later, I packed up my apartment and put most of my things in storage when the boyfriend took a job in another city. The other day, I found the pattern in with some papers I kept out of the storage unit and realized with a shock that my friend’s baby is about to be too big for the jacket! I had to make it in a hurry!

Nevermind that I haven’t made clothes before. Or used interfacing before. Or gathered fabric before. I’m a learn-on-the-fly kind of girl. Which means it’s lucky I am okay with a few imperfections in creative work, something I can’t say for my professional work.

My biggest challenge was the interfacing. At the quilt expo I attended earlier this fall, Nancy Zieman’s tips included something about interfacing; she said a particular brand is miraculous. I wanted to try the difficult version so I would have a basis for comparison. I really should have done it her way! I understand there was a right side and a wrong side of the interfacing for ironing, but for the life of me, I couldn’t get the stuff to stop sticking to the dish towel I “borrowed” from my sister (brand new – photos of gunked-up towel below). I’m just glad I tested it first! I followed the directions to a T, but to no avail. In the end, I held the iron just above the interfacing, steamed the heck out of it, and got it to adhere without actually touching the stuff with my iron. Took forever, but it worked!

I was amazed to learn how easy it is to gather fabric. I expected that would be my challenge!

Finally, I give myself about a 70% when it comes to sewing curved lines. Not a passing grade, but still about 65% higher than when I tried making a stuffed octopus with a circle piece in the template. (And the 5% I gave myself for the octopus project was more for effort than results.) I would actually consider tackling this pattern again.

P.S. My mom and sister went shopping this weekend and bought me a new ironing board cover. No more ugly stains from zealous project work! Also no more interfacing from this project!