La Passacaglia: Big 4 Complete!

Hooray! I am SO EXCITED to finally be finished with all four of the “big rosettes” in the La Passacaglia pattern – those with a double ring of stars. I’m happy with how the Liberty Tana Lawn Mabelle print in blue and red looks, too:

My overall progress looks something like this:

Yeah, I can’t believe I failed to blog about that little guy in the bottom middle, either. I guess I thought I must have done it when I posted to Instagram instead. Bonus rosette!

Now I’m trembling with naïve optimism that, with the most time-intensive rosettes finished, the rest of the pattern should practically sew itself and be finished in the next month or so – HA! Never mind it took me over two years to get to this point. And I will be having a baby in a month or two, depending when she decides to arrive.

Speaking of which… I have been disappointed when bloggers suddenly shift directions and turn a blog about home DIY into a blog about polar bears. Just for example. I didn’t want to do that with this blog, so feel free to check out the secondary blog I created, Building Home & Family, if you’re into home renovations and family life. We’re just starting both ventures, so I expect a lot more content should start flowing in future months!

I do have a few sewing-related posts over there:

Planning for a Market + Quilt
Free Boppy Cover Pattern
Crib Sheet to sew crib sheets

Reader Question: Is there any interest in having my family-focused sewing projects appear here, too? Or are you more interested in quilts-and-only-quilts? Most blogs seldom receive much feedback anymore, so it’s difficult to anticipate what readers might want without going the ol’ trial and error route.

That said, there is one question that keeps popping up in relation to this blog, and I thought I’d answer it here for posterity:

Q: How do you create your “progress” images for the La Passacaglia?
A: It’s really time-intensive. Kind of like hand sewing the Passacaglia itself. But if you’re still interested, read on…

Step 1: I used the pattern image from the book and desaturated it (i.e. turned it from color to black and white). Don’t have the pattern? It’s in the Millefiori Quilts book, available here. (The vendor I used is sold out, but the linked Etsy shop owner is someone I met through the DCMQG when I lived out east, and she’s great.)

Step 2: I photograph my latest rosette finish, preferably against a neutral background to make editing easier.

Step 3: In Photoshop, I open the photo and delete/remove the background, including the extra “tails” on the triangles of the rosette to get a clean shape.

Step 4: Finally, I open the full pattern image, copy and paste my newest rosette, and resize/transform/rotate it until it covers the space allocated in the pattern. I aim for “pretty close” vs. perfect because even an overhead photo of a rosette tends to have at least a little bit of angle that makes the proportions a tiny bit wonky.

A few people have asked me to share some of the templates I’ve created for my personal use in designing my La Passacaglia, but I think it’s important not to violate the designer’s intellectual property rights. She worked hard on the design, folks! Given all the hours I’m putting into my quilt, I feel the cost of the book is probably the lowest per-hour book cost I’ve ever spent! And I DEVOUR books!

Check out my WIPs page for links to all my La Passacaglia posts.

Sampler Quilt Progress Report

I must admit I didn’t get much sewing work done last week because I had a birthday to celebrate. So far, being “old” is awesome! My boyfriend and friends threw me a surprise party. Since then, I’ve been working on three different projects:

1. Scanning & organizing family photos. My grandma’s health is failing, and I would really like to honor her by organizing some photos to share at the funeral that will likely happen this weekend. While the circumstances are not great, it has been incredible to see how meticulously she kept photo albums, indicating how much she valued the people in them. She also had some interesting documents from my grandpa’s service in World War II.

2. Sampler Quilt. I finish a quilt block every now and again, and I’m done with 23 of the 49 total blocks. (My original grid below shows I’ve finished 24 blocks, but one of them turned out ugly, even if the measurements were correct and the corners lined up. I felt cheated.)

3. Barn Quilt. My sampler quilt requires use of a sewing machine, so the project has limited mobility. But ever since I crocheted the edge of a baby blanket, I have enjoyed working on smaller projects during my lunch break. (Much of the Windy Hill onesie was done in my car.) I have decided my new “mobile” project will be a “barn quilt.” There will be 13 embroidered blocks, each featuring an image from my childhood in South Dakota. Examples include my grandparents’ house, the house I grew up in, our barn, my dad’s 1980 Buick LeSabre (which we had looooong after the 1980s), our mailbox, the first tractor my grandpa bought brand-new, etc. This is general layout, minus some of the photos I’m still collecting:

I plan to use a patterned tan-and-navy border in a primitive style–and since I already purchased 5 yards from Primitive Gatherings, this plan is almost certain to become reality! I also purchased several skeins of matching embroidery floss and traced the main lines of four different photos, so I am ready to begin as soon as I finish the most urgent family photos.

This project was originally inspired by the Barns of Wisconsin set I saw featured at the Quilt Expo in Madison (September 2012). I thought I was being clever by using a color other than red and including buildings other than barns, but I have since learned that bluework is a popular style of embroidery, and I discovered this set of quilt blocks, too. Mine will still be one-of-a-kind and feature images that are special to me, so I eventually found peace with not being as original as I’d hoped.