East Dakota Quilter


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La Passacaglia: Big 4 Complete!

Hooray! I am SO EXCITED to finally be finished with all four of the “big rosettes” in the La Passacaglia pattern – those with a double ring of stars. I’m happy with how the Liberty Tana Lawn Mabelle print in blue and red looks, too:

East Dakota Quilter - 4th Large Rosette

My overall progress looks something like this:

East Dakota Quilter - Passacaglia Progress
Yeah, I can’t believe I failed to blog about that little guy in the bottom middle, either. I guess I thought I must have done it when I posted to Instagram instead. Bonus rosette!

East Dakota Quilter - Passacaglia Rosette

Now I’m trembling with naïve optimism that, with the most time-intensive rosettes finished, the rest of the pattern should practically sew itself and be finished in the next month or so – HA! Never mind it took me over two years to get to this point. And I will be having a baby in a month or two, depending when she decides to arrive.

Speaking of which… I have been disappointed when bloggers suddenly shift directions and turn a blog about home DIY into a blog about polar bears. Just for example. I didn’t want to do that with this blog, so feel free to check out the secondary blog I created, Building Home & Family, if you’re into home renovations and family life. We’re just starting both ventures, so I expect a lot more content should start flowing in future months!

Building Home and Family Collage on East Dakota Quilter

I do have a few sewing-related posts over there:

Planning for a Market + Quilt
Free Boppy Cover Pattern
Crib Sheet to sew crib sheets

Reader Question: Is there any interest in having my family-focused sewing projects appear here, too? Or are you more interested in quilts-and-only-quilts? Most blogs seldom receive much feedback anymore, so it’s difficult to anticipate what readers might want without going the ol’ trial and error route.

That said, there is one question that keeps popping up in relation to this blog, and I thought I’d answer it here for posterity:

Q: How do you create your “progress” images for the La Passacaglia?
A: It’s really time-intensive. Kind of like hand sewing the Passacaglia itself. But if you’re still interested, read on…

Step 1: I used the pattern image from the book and desaturated it (i.e. turned it from color to black and white). Don’t have the pattern? It’s in the Millefiori Quilts book, available here. (The vendor I used is sold out, but the linked Etsy shop owner is someone I met through the DCMQG when I lived out east, and she’s great.)

Step 2: I photograph my latest rosette finish, preferably against a neutral background to make editing easier.

Step 3: In Photoshop, I open the photo and delete/remove the background, including the extra “tails” on the triangles of the rosette to get a clean shape.

Step 4: Finally, I open the full pattern image, copy and paste my newest rosette, and resize/transform/rotate it until it covers the space allocated in the pattern. I aim for “pretty close” vs. perfect because even an overhead photo of a rosette tends to have at least a little bit of angle that makes the proportions a tiny bit wonky.

A few people have asked me to share some of the templates I’ve created for my personal use in designing my La Passacaglia, but I think it’s important not to violate the designer’s intellectual property rights. She worked hard on the design, folks! Given all the hours I’m putting into my quilt, I feel the cost of the book is probably the lowest per-hour book cost I’ve ever spent! And I DEVOUR books!

Check out my WIPs page for links to all my La Passacaglia posts.


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La Passacaglia: New Rosette + New Template

At a rate of about one rosette every two months, I’ve finally finished my second!

East Dakota Quilter La Passacaglia Fire and Ice

With saturated red-oranges, prints resembling snowflakes (at least if you squint), and wintery novelty prints (polar bears and Heather Ross/munki munki ice skaters), I call this my “fire and ice” rosette. I mentioned in earlier posts (here and here) that I plan to make my entire quilt in blues and oranges.

Progress 2 by East Dakota Quilter

I know I also said this before, but the rosettes are HUGE! I took a photo with my feet for perspective.

Fire and Ice La Passacaglia by East Dakota Quilter

Here’s a progress shot to show how I work. I got the hour basket as a swap gift for my birthday (#birthdayclubhandmade) and keep pretty much everything I need inside it so I can take it with me to the coffee shop on weekends.

Passacaglia Progress by East Dakota Quilter

Probably my rosettes would go a lot faster if I worked only on one at a time from start to finish. Instead, I usually finish the center of one, start basting (hand sewing), get bored, and sew another center or two in the meantime. I am currently started on three other rosettes.

One of my new rosettes will feature a single image in the center. Some quilters have done an incredible job of lining up individual pieces. I plan to shortcut the process and combine a few pieces at once. Here’s the process I’m using:

Passacaglia Center Template by East Dakota Quilter

First, I made a template of the rosette center. I think this is no major feat since anyone can line up a few diamond shapes, and it’s pretty obvious how they fit together if you’ve seen a photo of even a single rosette. The trick to La Passacaglia is how all the rosettes fit together. Definitely get the book if you want to make the quilt! After printing a template, I cut out the center of one of the images.

Cut Out Passacaglia Template Center by East Dakota Quilter

I lined up my fabric underneath the cut template.

Lining up Passacaglia Fabric under Template by East Dakota Quilter

Then I cut around the outer edge of the template to add 3/8″ seam allowance. Since the lines are traced by hand around the paper pieces, I used an acrylic ruler with my rotary cutter (for the outer edge) and Xacto knife (for the center piece). When you’re done cutting, you should have two pieces (one fabric, one template) like this:

Passacaglia Center Template by East Dakota Quilter

You could start basting your fabric to the center template at this point, but I wanted to glue mine in place for precision.

IMG_9487

Place your fabric wrong side up. Line up the seam allowance piece around the outer edges of your fabric.

Passacaglia Center by East Dakota Quilter

Place the center piece (with diamonds meeting in the middle) wrong side up. Glue the back of the center piece using either a fabric glue pen or a washable glue stick. Glue the center piece to the fabric (obviously glue side down), lining it up with the seam allowance piece. Then remove the seam allowance template and press.

Note on laser printers: Since laser printers use heat to bond ink to paper, running your iron over laser ink is like getting paper wet when it’s been written on with washable marker: the ink will smear. If you’re using a laser printer, I suggest placing a piece of scrap fabric over the template before pressing. Also, it’s best to press without steam since the humidity from steam will curl your paper.

Here’s the final piece held up to the light so you can see the seam allowance through the fabric:

Center Passacaglia Piece by East Dakota Quilter

One final note: I traced around each piece separately when making my template so I could use it as a single piece or remove any portion (e.g. removing one diamond to use a different fabric). However, it is much easier to baste convex corners (corners pointing outward) than concave corners (corners pointing inward), so keep that in mind if you remove a portion of the center template.

Check out my WIPs page for links to all my La Passacaglia posts.


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First Passacaglia Rosette & More EPP Fussy Cutting Tips

I know I always underestimate how long it will take me to complete a project, but we’re talking whole new levels with the La Passacaglia quilt. (If you don’t know what quilt I’m talking about, check out my earlier post here.) I worked on it with all my free time last week and only made it through three rings on the first rosette. Now I am finally FINISHED… with the first rosette of many, haha. Here’s my first blue & orange rosette:

Passacaglia Rosette by East Dakota Quilter

It’s big! It takes up an entire café table. The photo below was taken earlier in the afternoon, when I thought I was finished. Then I noticed my error and had to re-sew a section. Can you spot the issue? The lighting was much better for the mix-up than the final version. Bummer!

Passacaglia Oops by East Dakota Quilter

In case you’re curious, here’s the back side of my La Passacaglia.

Passacaglia Back by East Dakota Quilter

I also came up with another fun technique for fussy cutting. In my last post, I described using a wet erase pen on acrylic templates to ensure multiple cuts of fabric have an identical pattern. It worked pretty well. But I thought to myself, If I could just copy the fabric pattern and somehow see through it, I could line things up, and there wouldn’t be the user error of my not marking perfectly or accidentally lifting half the marker off the acrylic with my fingers. That’s when I came up with what might be an even BETTER idea than the wet erase/acrylic method!

Did you have a math class in the 1990s? If so, you might remember your teacher standing at the overhead projector, using his/her wet erase marker to complete math problems that were photocopied onto a transparency sheet. Those transparency sheets are still available for sale, believe it or not. (I got mine here; no affiliation.) I just put my fabric in a copy machine, inserted a transparency sheet, and hit copy at 100%. Do make sure the scale of your copier is correct by lining up the transparency over the fabric after copying the first print.

Fabric and transparency side-by-side (Sorry - reflective surfaces are difficult to photograph)

Fabric and transparency side-by-side, but one is backward (also, reflective surfaces are difficult to photograph)

I photocopied onto paper before using the paper copies to make transparency sheets. I wanted to be sure I got all the important elements on a single sheet first. The paper copy made it easy to try multiple configurations and to test the repeat pattern before cutting into the transparency sheet. For this part, I skipped the seam allowance to see what the finished pieces would look like.  When you’re happy with the selection, you can use an acrylic template to cut around the transparency version, then double-stick tape the transparency to the acrylic. From there, just line it up over the fabric to make multiple, identical cuts. What could be easier?! (Reminder: Be sure to include the seam allowance here, even if you skipped it for the step above.)

East Dakota Quilter - Fussy Cutting w Photocopies

East Dakota Quilter - Fussy cutting w transparency sheets

Of course, this doesn’t work if you don’t have access to a copier, but if you do… BAM! You’re welcome. This method (photocopying fabric onto either paper or transparency) also makes it easy to see whether two images on the fabric are too close together to get separate cuts. (Be sure to include seam allowances.) Fussy Cutting Tips by East Dakota Quilter

You could also use washi tape on the bottom of an acrylic template to hide seam allowances and really see what portion of the fabric will show on the final piece. (You don’t need to see that the outer edges line up with the fabric because you can already see through the transparency!) My first passacaglia rosette was made before I thought of the photocopy/transparency method. I am confident my next few rosettes will be even better! I’ve already started on my second.

Check out my WIPs page for links to all my La Passacaglia posts.