Vintage Quilt Revival Color Play

This past weekend, I attended a great event hosted by the D.C. Modern Quilt Guild at the Anacostia Arts Center. Speakers were Katie Clark Blakesley, one of the authors of Vintage Quilt Revival, and Laura Gunn, artist, “color expert,” and fabric designer.

The combo of these two speakers was pretty great! On one hand, Katie talked about updating traditional designs with bright colors and using neutrals or inversing colors in a quilt block to change the aesthetic. Here she is with her Cut Glass Baby Quilt, which is featured in the book.

Then Laura showed us how to make a color look brighter or darker based on the colors around them. I knew that certain palettes work and some don’t, but it was frankly mind-blowing to think of starting a quilt design not with a group of similarly-sized color chips, but with colored pieces spread out across a board. (Perhaps that’s how some people use their design walls, but I just hang up finished blocks and see after-the-fact whether it looks like I planned it out on the computer.) 

Here, Laura shows how cream and aqua look different based on background color.

Audience members got involved and helped create a palette/design.

Vintage Quilt Revival was on my wish list for quite awhile, but I didn’t let myself buy it until just before the event because the anticipation ensured I wouldn’t stay home sewing at the last minute, haha. It was surprisingly better than I’d hoped it would be.

I have been working through my own design processes lately and wasn’t too keen on starting  a new quilt from a pattern before testing out some new designs of my own, but I have to admit, I think the book convinced me otherwise. It has big, glossy pictures. And even if a particular block is less appealing than another block, each block also comes with tips that can be applied to any quilt design. Even the brief “Did you know…?” type discussions about the history of quilting were interesting. Liberty Love has my favorite quilt design so far, the Marcelle Medallion, but I think Vintage Quilt Revival is my favorite quilting book.

Following the event last weekend, I set about trying to plan out a quilt not with a palette, but with color placement, using some of the blocks featured in the book.

I love the Riviera block, and especially the versions made by Holly at Bijou Lovely and Karen at Lady K Quilts. I figured I would start easy, making mostly black and white Riviera blocks with one or two blocks in color to break things up. Then I realized I didn’t like that the secondary pattern, which looks like a spiderweb to me, was more prominent than the stars in the center of each block.

The Stardust Quilt featured in the book includes both the Riviera block and another block, the Dakota Star block. Although I love the Dakotas as a geographical location, the quilt block is not my favorite. I decided to use the same concept: the Riviera paired with another block, but mine is the Geometric Star (from the Cut Glass Baby Quilt, my favorite quilt in the book).

I started with my B&W Rivieras.

Next, I thought I would add modified primaries: mustard yellow, rusty/dark red, and a dusty blue.

I wasn’t sure I liked it. Let’s make those colors brighter!

Now what if we add some color to the center block?

Hmm, not sure I liked that. What if we just mix up the colored blocks, switching out the pinks and greens on two of them? 

I liked that a little better, but I still wasn’t sure it was quite right. I decided to change my block placement so there were two color/star blocks (each)  in the top and bottom rows, one in the center, alternating with the Riviera blocks.

That was my favorite iteration, but I still wasn’t sure I wanted to go to the effort of sewing those blocks in that formation. I decided to try again, this time with the Double Windmill block.

Again, I tried to mix a black and white concept with a few blocks of color, and I tried to invert the background of one of the blocks. I made a second attempt, too:

In the end, I think I still want to play with the Cut Glass Baby Quilt design. Did I mention it’s my favorite? But I really enjoyed starting with color instead of with fabrics for once.

the sampler quilt that was finished… and then wasn’t

I felt like a rockstar last week when I completed all 49 blocks of my original 7 x 7 sampler quilt design:

It is decidedly more traditional than the quilts I’ve begun in the meantime.

In my original design, I included a border on either side to round out the queen-size requirements. I chose this over another row of blocks. But I’m not sure how well the quilt-as-you-go method would work for borders, and I also felt silly avoiding 7 blocks when I’ve already come so far. So… I have a new goal of 56 total blocks (design below).

Since I started working on the quilt in September, I typically completed either 4 blocks per week or absolutely 0 blocks. This means I completed about 7 blocks each month for 7 months. Of course, this includes the time spent graphing my blocks, cutting fabric, and all the preparatory work, plus the holidays and a death in the family where progress halted. Could it really take a whole ‘nother month to finish a portion of a project that I had nearly written off as complete?! On the other hand, I made room for some fun new blocks that I only discovered after cutting all the pieces for my original 49, so I am excited in spite of myself.

My sister’s dog, a pit bull, wanted to be sure he wasn’t missing dinnertime when he heard me moving around.

Top left:

Top right:

Bottom right:

Bottom left:

Earlier posts about this quilt (in chronological order): Starting a Dear Jane Quilt, Quilt Expo – Madison, Wisconsin (embroidering the Sarah Jane Studios design for one of the blocks), Sampler Quilt Progress, Sampler Quilt Update: First 12 Blocks, Sampler Quilt Progress Report, [Needle]working Through Grief (several blocks appear at the end of the post), and Quilt Planning & Practice